![]() To change separately recorded audio along with the clip you need to link the clip and the audio. This does not apply to changes made under clip attributes in the media pool or unlinked audio. The frame interpolation method DaVinci uses is set in the project settings under Master Settings > Frame Interpolation or at the clip level in the Inspector under Retiming and Scaling.Īlong with the Frame Interpolation options, you can set the Motion Estimation mode and Motion range for performance or quality (Faster vs Enhanced and Large to Small).Ĭhanging the speed a clip plays back in the timeline also affects the audio that is linked to that clip. ![]() It delivers great results but is only available in the studio (paid) version of DaVinci Resolve and is very resource-intensive. Speed Warp takes optical flow even further by using the DaVinci Resolve neural engine and machine learning to create the new frames.Optical Flow is a step up on frame blend, very intensive on your computer but will in most cases deliver superior results.It is a bit more intensive on your computer but will deliver a better result and works reasonably well for timelapse footage. It blends the frames on either side to create new frames in between. In the 24 fps example above, it would effectively double each frame by showing it twice. This method displays the nearest frame to what needs to be shown. Nearest is the least computer-intensive will generally play in real-time.There are a few ways Resolve can do this. The frame interpolation method used has a big impact on the quality of the results. Likewise, if you drop a 24 fps clip in a 30 fps timeline Resolve needs to create 6 more frames for every second of the clip. As an example, if you were to try and slow down a one-second-long 24 fps clip in a 24 fps timeline by 50%, DaVinci Resolve needs to create 24 new frames to fill in the gaps. When you don’t have enough frames to slow down your clip, DaVinci Resolve needs to use the frames it has to make up the missing frames, called frame interpolation. This is handy when you have a lot of b-roll that you want to play in slow motion without the need to retime it. This changes the playback frame rate of the clip so when you drop it onto the timeline the clip will play in slow motion to match the timeline frame rate. In the media pool, you can right-click the clip and select Clip Attributes, then change the speed to match the timeline frame rate.We will go into more detail about this method in Part 2. Now drag the edge of the clip to speed it out to slow it down.Change this % to slow down the clip or select the edge of the clip and wait until you see double arrows appear. Press Ctrl+R or Cmd+R to bring up the re-time controls.If you don’t check the ripple sequence box, the clip is played in slow motion for the duration of the original clip. A speedometer icon appears on the clip, letting you know you have changed the speed of the clip. The clip now plays in 50% slow motion and has doubled in length. Check the Ripple Timeline box and click Change. You can also access Change Clip Speed by right-clicking on the clip, or from the clip menu at the top of the interface. Press R to bring up the Change Speed dialogue.Use these two figures to work out how much you will be able to slow it down without losing frames then use one of the methods below to slow it down. Select the clip and check the frame rate in the metadata tab then check your timeline frame rate in the settings tab. There are a few main ways to slow down footage in DaVinci Resolve 17.Īdd some of your own high frame rate footage to the timeline in the Edit Page, or use some stock footage from Motion Array. The quickest way to slow down your footage is simply to change the clip speed. The higher the frame rate the more you can slow it down. Common frame rates for slow motion are 60, 120, and 240 fps. with a 24 fps timeline the footage would need to have been filmed in at least 48 fps. In order for this to work well, the footage needs to be filmed in a frame rate of at least 2x the frame rate of your timeline e.g. Let’s begin by creating a slow motion effect. While it is possible to do this, as we will see later, the best results are achieved using high frame rate footage and then slowing it down. If it was not filmed at a higher frame rate you can’t slow it down without needing to create new frames to fill in the gaps. It is important to understand that to be able to slow down any footage you need to play it back at a lower frame rate than it was filmed. Part 1: Main Methods to Create Slow Motion in DaVinci Resolve 17 Part 3: Troubleshooting Slow Motion Edits.Part 2: Learn Speed Ramping in DaVinci Resolve 17.Part 1: Main Methods to Create Slow Motion in DaVinci Resolve 17.
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